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#DaidoMoriyamaADiary06

#DaidoMoriyamaADiary06

RECORD | KIROKU

42 issues of RECORD magazine presented at Foto Colectania. Víctor Poll Collection. Photo: María Fernanda Soler.
42 issues of RECORD magazine presented at Foto Colectania. Víctor Poll Collection. Photo: María Fernanda Soler.

One of Daido Moriyama's most personal project is the magazine RECORD (Kiroku). Five issues appeared between 1972 and 1973 but then the magazine disappeared, to be reborn in 2006.

Moriyama has continued to publish Record at a rate of two or three issues every year. The magazine has become the platform that best represents the dairy format of this photographer.

The issues contain images taken in different cities; A few weeks ago, photographers Àngel Albarrán and Anna Cabrera sent us this video of number 10, which includes photographs of Daido Moriyama taken in our city, Barcelona:

RECORD N.10
https://vimeo.com/47510759

We finish this post, by highlighting the quote that accompanies the installation of the 42 magazines at Foto Colectania, an allegation about photography, memory and time.

_“As I get older with the camera in my hand, I realize that all the different things that I depict in my photographs are ultimately rooted in my childhood memories, the various things I have seen and experienced in the postwar years of the early 1950s. My memories of wandering from one town to another for a while after the war have piled up at the bottom of my conscious mind, and it appears to me that they are reflected in the myriad images I’ve been capturing as a street snap photographer, responding to my index finger as it releases the shutter. In other words, regardless of whether I was aware of it at the place and time of shooting, it seems that the majority of my photographs represent an instant communion with the here and now that is established through some kind of time tunnel.

People often tell me that it is difficult to tell about my photographs when they were taken, and that they cannot pin them down to a certain age, which is perhaps another indicator that highlights this very character of my work. I guess the various images that I capture in my photographs originate from my memories of landscapes and sceneries in postwar Japan, and the way they initially appeared to a young boy who was yet to make his own substantial life experiences. The time we call the “present” is always linked to both the past and the future, and today is nothing but a connector between yesterday and tomorrow. After all, taking a photograph is an act of incidentally memorizing a certain point in an endless time tunnel.”
_
Daido Moriyama. Originally printed in RECORD No. 38