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Correspondence

CORRESPONDENCE | Body and Visual Representation
Event

CORRESPONDENCE | Body and Visual Representation

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ONLINE ACTIVITY | Bilingual Cycle in Spanish and English

• In this new release we will have the participation of Remedios Zafra, Anagrama Essay Award for El entusiasmo. Precariedad y trabajo creativo en la era digital, and the visual artist, researcher and teacher, María Ruido, who is currently exhibiting Profundidad de campo in Matadero Madrid.

• This online program has the collaboration of the Banco Sabadell Foundation.

Correspondence 2018 | David Campany and Anastasia Samoylova
Event

Correspondence 2018 | David Campany and Anastasia Samoylova

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New edition of Correspondence with David Campany and Anastasia Samoylova under the motto: "Reading Images"!

Correspondence 2018
Event

Correspondence 2018

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Correspondence is an on-line project that wants to reflect on the relevance that photography has taken in contemporary visual culture without losing historical perspective and its original contexts of creation and dissemination.

Correspondence 2017
Event

Correspondence 2017

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Correspondence is an online project that aims to reflect on the relevance that photography has taken in contemporary visual culture without losing the historical perspective and its original contexts of creation and diffusion. This second edition of Correspondence’s program is extended throughout the year following the thread of two conversations, now between Marta Gili and Georges Didi-Huberman.

Correspondence | Who
Event

Correspondence | Who

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Correspondence is an online project that aims to reflect upon the relevance that photography has had in contemporary society and the visual culture of our times, keeping in mind historical perspective and the original contexts...

Correspondence | Where
Event

Correspondence | Where

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Correspondence is an online project that aims to reflect upon the relevance that photography has had in contemporary society and the visual culture of our times, keeping in mind historical perspective and the original contexts...

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